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<p>[QUOTE="Emmamilk, post: 172614, member: 62053"]For an upcoming paper mask workshop, I want the planning stage to account for the different outlines of participants’ faces. Starting with a single outline saves time, yet it leaves us guessing about where each person might need a different contour. I am considering a short explanation of <a href="https://squarefaceshape.top" target="_blank" class="externalLink ProxyLink" data-proxy-href="https://squarefaceshape.top" rel="nofollow">face shapes</a> as background for that worksheet. My intention is to use the categories for describing contours, then measure each participant rather than infer sizes from a label. We could note the widest part of the face and the jaw outline before deciding which template edges to redraw. We plan to try the undecorated paper pieces first, so changes to the contour can happen before anyone starts painting. There should be room for mixed features, rather than pressure to choose the closest category and follow its outline exactly. A dramatic character outline is fine for the finished piece, provided the practical fitting stage remains separate from those decorative choices. Has anyone used a similar worksheet, and which observations were most helpful before moving from an outline to a wearable template?[/QUOTE]</p><p><br /></p>
[QUOTE="Emmamilk, post: 172614, member: 62053"]For an upcoming paper mask workshop, I want the planning stage to account for the different outlines of participants’ faces. Starting with a single outline saves time, yet it leaves us guessing about where each person might need a different contour. I am considering a short explanation of [url=https://squarefaceshape.top]face shapes[/url] as background for that worksheet. My intention is to use the categories for describing contours, then measure each participant rather than infer sizes from a label. We could note the widest part of the face and the jaw outline before deciding which template edges to redraw. We plan to try the undecorated paper pieces first, so changes to the contour can happen before anyone starts painting. There should be room for mixed features, rather than pressure to choose the closest category and follow its outline exactly. A dramatic character outline is fine for the finished piece, provided the practical fitting stage remains separate from those decorative choices. Has anyone used a similar worksheet, and which observations were most helpful before moving from an outline to a wearable template?[/QUOTE]
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